Dialogue & lip sync
Two-line café exchange
Over-the-shoulder shot in a warm café: a man says in French: "Tu l'as vraiment fait?" — cut to reverse angle, a woman smiles and answers: "Évidemment." Shallow depth of field, afternoon light through the window, espresso machine in the background. Audio: their voices, cups clinking, low café murmur.
This pushes the model to its current ceiling: two speakers, one cut, one reverse angle. Keeping each character to a single short line is what makes it achievable — the cut lands on the dialogue turn, which is exactly where a real editor would put it.
- Coverage
- OTS + reverse angle — a real two-shot editing pattern
- Script
- two short quoted lines, one per speaker per angle
- Cut point
- the cut sits on the dialogue turn — motivated editing
- Audio
- voices over café ambience — continuity across the cut
- One line per angle is the rule. Two people talking in one continuous frame still de-syncs often.
- If the reverse angle changes the room, describe the background in both halves of the prompt.
Founder talking-head clip
The woman from the image, framed chest-up in a bright modern office, looks into camera and says warmly in English: "We built this for small teams — and it finally feels effortless." Natural hand gesture on "effortless", subtle head movement, soft window light. Audio: her voice, clear and close-mic'd, faint office ambience.
Street interview, vertical
Vertical street-interview shot: a young man holding nothing, framed waist-up on a busy daytime shopping street, looks slightly off-camera and says in Japanese: "正直、思ったより全然よかったです。" He laughs at the end. Handheld energy, passersby blurred behind him. Audio: his voice, street crowd, light wind on mic.
Night rain tracking shot
Slow tracking shot following a woman in a yellow raincoat walking down a neon-lit Tokyo alley at night, heavy rain, reflections on wet asphalt, shallow depth of field, anamorphic lens flare, cinematic teal-and-orange grade. Audio: rain on pavement, distant traffic, muffled city hum.